Portal:Middle Ages

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The Middle Ages portal

A stained glass panel from Canterbury Cathedral, c. 1175 – c. 1180. It depicts the Parable of the Sower, a biblical narrative.

In the history of Europe, the Middle Ages or medieval period (also spelt mediaeval or mediæval) lasted approximately from 500 AD to 1500, although some prefer other start and end dates. The Middle Ages is the second of the three traditional divisions of Western history: antiquity, medieval, and modern. Major developments include the predominance of agriculture in the economy, the exploitation of the peasantry, slow interregional communication, the importance of interpersonal relations in power structures, and the fragility of state bureaucracy. The medieval period is itself sometimes subdivided into the Early, High, and Late Middle Ages, and the early medieval period is alternatively referred to as the Dark Ages.

Population decline, counterurbanisation, the collapse of centralised authority, the mass migration of tribes (mainly Germanic peoples), and Christianisation, which had begun in late antiquity, continued into the Early Middle Ages. The movements of peoples led to the disintegration of the Western Roman Empire, and the rise of new kingdoms. In the post-Roman world, taxation declined, the army was financed through land grants, and the blending of Later Roman civilisation and the invaders' traditions is well documented. The Eastern Roman Empire (or Byzantine Empire) survived but lost the Middle East and North Africa to Muslim conquerors in the 7th century. Although the Carolingian dynasty of the Franks reunited much of the Western Roman lands by the early 9th century, the Carolingian Empire quickly fell apart into competing kingdoms, which later fragmented into autonomous duchies and lordships.

During the High Middle Ages, which began after 1000, the population of Europe increased greatly as the Medieval Warm Period allowed crop yields to increase, and technological and agricultural innovations introduced a "commercial revolution". Slavery nearly disappeared, and peasants could improve their status by colonising faraway regions in return for economic and legal concessions. New towns developed from local commercial centers, and urban artisans united into local guilds to protect their common interests. Western church leaders accepted papal supremacy to get rid of lay influence, which accelerated the separation of the western Catholic and eastern Orthodox Churches, and triggered the Investiture Controversy between the papacy and secular powers. With the spread of heavy cavalry, a new aristocracy emerged who stabilised their position through strict inheritance customs. In the system of feudalism, the noble knights owed military service to their lords in return for the lands they had received in fief. Stone castles were built in regions where central authority was weak but by the end of the period state power was in the rise. The Western European peasants' and aristocrats' movement towards the peripheries of Europe, often in the guise of crusades, led to the expansion of Latin Christendom against the neighbouring Muslim, pagan, and Orthodox peoples. The spread of cathedral schools and universities stimulated a new method of intellectual discussions, with an emphasis on rational argumentation, known as scholasticism. Mass pilgrimages prompted the construction of massive Romanesque churches, while structural innovations led to the development of the more delicate Gothic architecture.

Difficulties and calamities, including a great famine and the Black Death, which reduced the population by 50 per cent, introduced the Late Middle Ages in the 14th century. Conflicts between ethnic and social groups intensified, and local conflicts often escalated into full-scale warfare, such as the Hundred Years' War. By the end of the period, the Byzantine Empire and the Balkan states were conquered by a new Muslim power, the Ottoman Empire, whereas in the Iberian Peninsula, the Christian kingdoms won their centuries-old war against their Muslim neighbours. The prominence of personal faith is well documented, but the Western Schism and dissident movements condemned as heresies presented a significant challenge to traditional power structures in the Western Church. Humanist scholars started to put a special emphasis on human dignity, and Early Renaissance architects and artists revived several elements of classical culture in Italy. During the last medieval century, naval expeditions in search for new trade routes introduced the Age of Discovery. (Full article...)

Selected article

The reconstructed St. Michael's Golden-Domed Cathedral with its belltower as seen in 2007.
St. Michael's Golden-Domed Monastery is a functioning monastery in Kiev, Ukraine. The monastery is located on the Western side of the Dnieper River on the edge of a bluff northeast of the St. Sophia Cathedral. The site is located in the historic and administrative Uppertown and overlooks the city's historical commercial and merchant quarter, the Podil neighbourhood.Originally built in the Middle Ages by Sviatopolk II Iziaslavych, the monastery comprises the Cathedral itself , the refectory of St. John the Divine, built in 1713, the Economic Gates , constructed in 1760 and the monastery's bell tower, which was added circa 1716–1719. The exterior of the structure was rebuilt in the Ukrainian Baroque style in the 18th century while the interior remained in its original Byzantine style. The cathedral was demolished by the Soviet authorities in the 1930s, but was recently reconstructed after Ukraine gained its independence. Some scholars believe that Prince Iziaslav I Yaroslavych, whose Christian name was Demetrius, first built the Saint Demetrius's Monastery and Church in the Uppertown of Kiev near Saint Sophia Cathedral in the 1050s. Half a century later, his son, Sviatopolk II Iziaslavych, is recorded as commissioning a monastery church (1108–1113) dedicated to his own patron saint, Michael the Archangel. One reason for building the church may have been Svyatopolk's recent victory over the nomadic Polovtsians, as Michael the Archangel was considered a patron of warriors and victories.

Selected biography

Rhys ap Gruffydd or ap Gruffudd (Anglicised to "Griffith") (1132 – 28 April 1197) was the ruler of the kingdom of Deheubarth in south Wales. He is commonly known as The Lord Rhys, in Welsh Yr Arglwydd Rhys, but this title may not have been used in his lifetime.[1] He usually used the title "Proprietary Prince of Deheubarth" or "Prince of South Wales", but two documents have been preserved in which he uses the title "Prince of Wales" or "Prince of the Welsh".[2] Rhys was one of the most successful and powerful Welsh princes, and after the death of Owain Gwynedd of Gwynedd in 1170 was the dominant power in Wales.

Rhys's grandfather, Rhys ap Tewdwr, was king of Deheubarth, and was killed at Brecon in 1093 by Bernard de Neufmarche. Following his death, most of Deheubarth was taken over by the Normans. Rhys's father, Gruffydd ap Rhys, was eventually able to become ruler of a small portion, and more territory was won back by Rhys's older brothers after Gruffydd's death. Rhys became ruler of Deheubarth in 1155. He was forced to submit to King Henry II of England in 1158. Henry invaded Deheubarth in 1163, stripped Rhys of all his lands and took him prisoner. A few weeks later he was released and given back a small part of his holdings. Rhys made an alliance with Owain Gwynedd and after the failure of another invasion of Wales by Henry in 1165 was able to win back most of his lands.

In 1171 Rhys made peace with King Henry and was confirmed in possession of his recent conquests as well as being named Justiciar of South Wales. He maintained good relations with King Henry until the latter's death in 1189. Following Henry's death Rhys revolted against Richard I and attacked the Norman lordships surrounding his territory, capturing a number of castles. In his later years Rhys had trouble keeping control of his sons, particularly Maelgwn and Gruffydd, who maintained a feud with each other. Rhys launched his last campaign against the Normans in 1196 and captured a number of castles. The following year he died unexpectedly and was buried in St David's Cathedral. (read more . . . )

Did you know...

  • ...that a paillasse is a thin mattress filled with hay or sawdust and was commonly used in the middle ages?
  • ...that a barbican is a tower or other fortification defending the drawbridge, usually the gateway?
  • ...that a coif is a type of armored head-covering made out of chain-mail and worn under the helmet for extra protection?
  • ...that a heriot is a payment owed to the lord of the manor by a serf’s family upon the serf’s death; usually the family’s best animal, such as a cow, horse or most commonly ox?
  • ...that before 1066, it was noted in the Domesday Book, if one Welshman killed another, the dead man’s relatives could exact retribution on the killer and his family (even burning their houses) until burial of the victim the next day?
  • ...that buboes are pus-filled egg-sized swellings of the lymph glands of the neck, armpits, and groin; typically found in cases of bubonic plague?
  • ...that laws passed in the late 1300s aimed at maintaining class distinctions by prohibiting lower classes from dressing as if they belonged to higher classes?
  • ...that Pier Gerlofs Donia, a 15th century Frisian freedom fighter of 7 feet tall was alleged to be so strong that he could lift a 1000 pound horse?
  • ...that Edgar Ætheling was the last of the Anglo-Saxon Kings of England, but was only proclaimed, never crowned?

Selected image

The Ecstasy of St. Francis (or St. Francis in the Desert) is a painting by the Italian Renaissance master Giovanni Bellini, who started this painting in 1475 and finished it around 1480.
The Ecstasy of St. Francis (or St. Francis in the Desert) is a painting by the Italian Renaissance master Giovanni Bellini, who started this painting in 1475 and finished it around 1480.
Credit: Giovanni Bellini

The Ecstasy of St. Francis (or St. Francis in the Desert) is a painting by the Italian Renaissance master Bellini, who started this painting in 1475 and finished it around 1480.

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  1. ^ Turvey pp. 91–2
  2. ^ In a charter concerning a grant to Chertsey Abbey he uses princeps Wall[ie] while a charter dated 1184 concerning Strata Florida Abbey uses Walliar[um] princeps. See Pryce (2005) pp. 96–7, 168–9, 171–4
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